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CULTURAL
HERITAGE IN DANGER
1-30 July, 1997
Teleconference: July 14-17
Course Director: József Laszlovszky (CEU)
Resource Persons:
Mick Aston
(Bristol University)
Robert Bevley (Royal Commission of Historical Monuments)
Karl Brunner (Institut für Realienkunde, Krems)
Günther Dembski (Museum Security Adviser, Vienna)
Thomas Durdik (Archaeological Institute, Prague)
Martin Gojda (Archaeological Institute, Prague)
Jeanne Hagenboom (ICOM Documentation Committee)
Gerhard Jaritz (CEU and Inst. of Medieval and Posmedieval Material Culture,
Krems)
József Laszlovszky (CEU)
Pál Lõvei (National Board of Historical Monuments)
Edit Madas (Fragmenta codicum Project)
Christoph Mahat (Institute of Historical Monuments, Pulheim)
Predrag Matejic (Ohio State University)
Christopher Newbury (Museum Training Institute, Bradford)
Corina Popa (Academy of Fine Arts, Bucharest)
Ödön Ráday (Hungarian Ministry of Environmental Protection)
Beatrix Romhányi (Eötvös Loránd University, Budapest)
M. Marco Tonon (ICOM Audiovisual an New Technologies Committee)
Zsuzsanna Urbach (Museum of Fine Arts, Budapest)
Nina Vutova (National Library, Sofia)
Katalin Wollák (Hungarian National Museum)
Introduction
The cultural heritage of Europe faces
a continuous and ever growing danger. In spite of a number of national
and international organisations as well as projects and conferences dedicated
to the preservation and maintenance of the monuments from the past, it
seems that a more intensive information exchange is still necessary in
order to assure a wider awareness of the problem. A truly international
consensus and cooperation at all levels is needed in order to effectively
promote the idea of the cultural heritage as one of the most precious and
at the same time very precarious treasures of humanity. The summer university
we propose is intended to contribute to the solution of this problem by
educating young professionals who in course of their work are directly
involved in the process of preserving and maintaining the cultural heritage
(archivists, librarians, museum staff, conservators of monuments etc.).
We shall focus foremost on presenting
problems confronted by East-Central European countries. The cultural treasures
of this region were heavily demolished already in the past due to wars,
negligence and other factors. The situation still worsened in the last
decades because of the centrally controlled cultural policy of the communist
governments. Unfortunately, the recent political changes and the economic
transformation of these countries did not stop the process of destruction.
Indeed, the war in Yugoslavia, Croatia and Bosnia produced the most significant,
deliberate demolition of cultural monuments. In discussing these problems
our Department would rely upon a cooperation with the South East European
Studies program, which has already been discussed with professors Ivo Banac
and Neven Budak.
The cultural heritage, however, is also
exposed to various dangers during periods of peace. Climatic and environmental
factors can be equally harmful. Pollution and the disruption of the biological
equilibrium due to the growth of industry affect the condition of the monuments
no less than natural disasters and changes in the biosphere. Here we should
like to invite the Environmental Studies Department to contribute to the
presentation of these aspects.
Many more phenomena determine the fate
of our cultural heritage. Illegal trade of archeological finds and pieces
of art, thefts of museum and church collections are seriously damaging
its integrity. Very often simply the shortage of financial resources, lack
of information and negligence causes further destruction. Therefore, adequate
management of the cultural heritage is one of the crucial issues in these
transforming countries.
To sum up, the aim of the summer university
we are proposing is to show the full scale of dangers menacing the integrity
of the cultural heritage in the region, and to provide up-to-date methods,
techniques and overall policy of their preservation and maintenance, for
the participants in the related fields. The courses are intended to call
the attention of the scholars and institutions to these problems. We would
make all efforts to involve most interested institutions into the row of
presentations, and invite them to present here their documentation and
relevant projects, share and exchange ideas with other similar organisations.
In addition to regular lectures, seminars and common debates for the participants,
we are planning to organize a teleconference that would enable us to bring
the issue into focus for a wider international audience. As a conclusion
of the project we should like to present the results of the common discussions
in an exhibition displaying databases, documentations, multimedia programs
and other tools that are essential in the endeavours to save the cultural
heritage of the region. We hope that eventually a new alliance and network
could come out of these workshops with perhaps a large common database
of joint documentation.
Program of the Summer University
The curriculum of the summer courses
on "Cultural Heritage in Danger" is planned to concentrate on four main
themes: presentation of the dangers to cultural heritage, documentation
of the existing damages, conservation and methods aimed at stopping the
destruction, and introduction to cultural heritage management policy.
All participants will follow a basic
four-week course introducing these main issues and in addition will have
a choice of optional classes in four strands according to their particular
interests and professional needs. They will also participate in the teleconference
and possibly to contribute to the exhibition (detailed information will
be circulated in advance in order to enable those interested to collect
necessary materials)
A) COURSES
1. Dangers to the cultural heritage
· War damages in former
Yugoslavia
· Environmental factors
· International trade of cultural
treasures (thefts and illegal transactions)
· Destruction of medieval source
collections (manuscripts, codices)
· Privatisation of cultural heritage:
advantages and disadvantages
· Investment, urban development,
new transport network and the destruction of
medieval sites
2. Documentation of cultural heritage
· Databases recording
the destroyed cultural heritage
·Databases listing the cultural
heritage in danger
· Documentation techniques and
methods (manuscript collections - digital processing
and photo projects, historical monuments
- archaeological and architectural survey
techniques)
· Rescue archaeology and digital
data processing in archaeological documentation
· Remote sensing and aerial photography
in the documentation of historical
monuments
3. Conservation and preservation
· Restoration techniques
and methods to save the cultural heritage in danger
· Traditional restoration techniques
in a critical perspective
· New methods (virtual reality
in the recreation of historical monuments, three-
dimensional reconstruction of destroyed
monuments, multimedia programs).
4. Cultural heritage maintenance and management
· The role of museum
collections, historical monuments in the new political and
economic system of the countries in
East-Central Europe
· Historical anniversaries "lieux
de mémoire"
· Presentation and publication:
computer networks
· Computer databases and digital
networks in the political and economic decision
making
B) TELECONFERENCE
Favourable scholarly contacts that the
Medieval Studies Department of the CEU has developed with the Institut
für Realienkunde des Mittelallers und der frühen Neuzeit in Krems
(Austria), the International Medieval Congress in Leeds (UK) and the Center
for Medieval and Renaissance Studies at the UCLA result in a joint planning
of a teleconference that would link Budapest, Vienna, Leeds and Los Angeles
with Dubrovnik (Interuniversity Center) and hopefully also with Sarajevo.
Important figures of the public and academic life (politicians, economists,
sociologists, historians etc.) would be asked to share their views on the
role, condition and future perspectives of the European cultural heritage.
C) EXHIBITION
A display of databases, documentation,
multimedia programs will show the results of the course and illustrate
with concrete examples what tools can be used in the process of preserving
and maintaining cultural heritage.
Topics of the exhibition:
- Project documentation and visual material
- Multimedia programs and digital reconstructions
- Virtual collections of cultural heritage
List of institutions and organisations
we would like to involve in the summer
university, if funded:
ICOM (International Council of Museums)
Committe of Education
Comittee of Restauration
The Getty Center and the Getty Conservation
Institute, Los Angeles
UCLA, Center for Medieval and Renaissance
Studies
UNESCO
Leeds International Medieval Congress
World Monument Fund
Europa Nostra
École Nationale de Patrimoine,
Paris
Krems, Institute for Medieval and
Early Modern Material Culture
Ministry of Environmental Protection
Eötvös Loránd University,
Budapest
National Board of Historical Monuments,
Hungary,
Hungarian national Museum
Interuniversity Center, Dubrovnik
The Bosnian Manuscript Ingathering
Project
Saxon Monuments in Transylvania Documentation
Project
European Archaeology Association
Possible Speakers:
-Written documents, manuscript collections:
Predrag Matejic, (Ohio State University)
Nina Vutova, (National Library, Sofia)
Edit Madas (Fragmenta codicum Project)
-Archaeological sites and monuments
József Laszlovszky (CEU)
Beatrix Romhányi (Eötvös
Loránd University, Budapest)
Robert Bevley (Royal Commission of
Historical Monuments)
Martin Gojda (Archaeological Institute,
Prague)
-Environmental protection, archaeological
sites and cultural heritage:
Katalin Wollák (Hungarian
National Museum)
Ödön Ráday (Hungarian
Ministry of Environmental Protection)
- Historical monuments
Pál L?vei (National Board
of Historical Monuments)
Christoph Mahat (Institute of Historical
Monuments, Pulheim, Germany)
Corina Popa (Academy of Fine Arts,
Bucharest)
Thomas Durdik (Archaeological Institute,
Prague)
-Museum collections and museum management
Zsuzsanna Urbach (Museum of Fine
Arts, Budapest)
Christopher Newbery,( Museum Training
Institute, Bradford)
-Computer databases and documentation
M. Marco Tonon (ICOM Audiovisual
an New Technologies Committee)
Gerhard Jaritz, CEU, Institute of
Medieval and Posmedieval Material Culture, Krems
Karl Brunner (Institut für Realienkunde, Krems)
Jeanne Hagenboom (ICOM Documentation Committe)
- Security and illegal trade of cultural
heritage
Gunther Dembski, (Museum Security
Adviser, Vienna)
- Cultural heritage on TV and on
video
Mick Aston (Bristol University)
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