Selected Bibliography

     

    Alexander, Jonathan J. G. Medieval Illuminators and Their Methods of Work. New Haven and London: Yale University Press, 1992.

    Backhouse, Janet. The Illuminated Manuscript. Oxford: Phaidon, 1979.

    Bischoff, Bernard. Latin Palaeography: Antiquity and the Middle Ages. Trans. Dáibhí ó Cróinín and David Ganz, Cambridge: Cambridge University Press, 1990.

    Bland, David. A History of Book Illustration: the Illuminated Manuscript and the Printed Book. London: Faber, 1969.

    Bologna, Giulia. Illuminated Manuscripts : The Book Before Gutenberg. New York : Weidenfeld & Nicolson, 1988.

    Brown, Michelle P. Understanding Illuminating Manuscripts. A Guide to Technical Terms. London: The J. Paul Getty Museum, and The British Library Board, 1994.

    Cahn, Walter. Romanesque Bible Illumination. New York: Cornell University Press, 1982.
     

    Cappelli, Adriano, ed. Dizionario di Abbreviature Latine ed Italiane: Lexicon Abbreviaturarum. Milan: Ulrico Hoepli, 1973.
     

    Cole, Bruce. The Renaissance Artist at Work. New York: Harper and Row, 1983.
     

    Dictionary of the Middle Ages. Vol. 2. Edited Joseph R. Strayer. New York: Scribner, 1982.
     

    Diringer, D. The Illuminated Book: Its History and Production. London: Faber, 1967.
     

    Eberlein, Johann Konrad. Miniatur und Arbeit. Das Medium Buchmalerei. Frankfurt am Main: Suhrkamp, 1995.
     

    Froehlich, K., and Gibson, Margaret T. Biblia latina cum Glossa Ordinaria. Louvain: Catholic University, 1992.
     

    Gibson, Margaret T. The Bible in the Latin West. The Medieval Book 1, London: University of Notre Dame, 1993.

    Glaister, Geoffrey Ashall. An Encyclopedia of the Book: Terms Used in Paper-making, Printing, Bookbinding and Publishing.

    Cleveland, World Pub. Co., 1960.
     

    Glenisson, Jean, ed. Le Livre au Moyen Age. Brepols: Presses de CNRS, 1988.
     

    de Hamel, Christopher. A History of Illuminated manuscripts, 2d ed. London: Phaidon, 1997.
     

    de Hamel, Christopher. Medieval Craftsmen. Scribes and Illuminators. London: British Museum Press, 1992.
     

    de Hamel, Christopher. Glossed Books of the Bible and the Origins of the Paris Booktrade. Woodbridge, Suffolk; Wolfeboro, N.H., USA : D.S. Brewer, 1987.

    Hamesse,  Jacqueline. "La modèle scholastique de la lecture." In Le livre conquérant: Du Moyen Age au milieu du XVIIe siècle. Histoire de l'édition française 1 (Paris: Promodis, 1983), 1 - 24.

    Hausherr, Reiner. Faksimile-Ausgabe im Originalformat des Codex Vindobonensis 2254 der Österreichisches Nationalbibliothek, 1973.

    Hendrix, Lee, and Thea Vignau-Wilberg. An Abecedarium : Illuminated Alphabets from the Court of the Emperor Rudolf II. Los Angeles : J. Paul Getty Museum, 1997.

    ________. Nature Illuminated : Flora and Fauna from the Court of the Emperor Rudolf II. Los Angeles : The J. Paul Getty Museum , c1997.

    Hoffmann, Hartmut. Buchkunst und Königtum im ottonischen und frühsalischen Reich, Monumenta Germaniae Historica Schriften 30.1. Stuttgart: Anton Hiersemann, 1986.

    Hurll, Estelle May. The Bible Beautiful: a History of Biblical Art. Boston: L. C. Page, 1905.
     

    de Laborde, Alexandre. La Bible moralisée illustrée, in 5 vols. Paris: 1911 – 1927.
     

    Lemaire, Jacques. Introduction à la codicologie. Louvain-la-Neuve: Institut d'Études médiévales, 1989.
    Lexikon des Mittelalters II/I. Munich - Zurich: Artemis-Verlag, 1977.

    Libby, Gary R., ed. Late Medieval and Renaissance Illuminated Manuscripts. Daytona Beach, FL : Museum of Arts & Sciences, 1998.
     

    McCash, June Hall, ed. The Cultural Patronage of Medieval Women, Athens: University of Georgia Press, 1996.
     

    McGerr, R. P. “Guyart Desmoulins, the Vernacular Master of Histories, and His Bible Historiale,” Viator 14 (1983): 21-44.
     

    Parkes, Malcolm B. “The Influence of the Concepts of Ordinatio and Compilatio on the Development of the Book.” In Scribes, Scripts and Readers: Studies in the Communication, Presentation and Dissemination of Medieval Texts, 35 – 70. London: The Hambledon Press, 1991;
     

    _____. “Tachygraphy in the Middle Ages: Writing Techniques Employed for Reportationes of Lectures and Sermons.” In Scribes, Scripts and Readers: Studies in the Communication, Presentation and Dissemination of Medieval Texts, 19 – 34. London: The Hambledon Press, 1999.
     

    Pontifical (Ms. British Museum. Cottonian Tiberius B VIII): Liber pontificalis. Glasgow: np, 1924.

    Quaritch, Bernard. Facsimiles of Some Examples of the Art of Book-Ornamentation During the Middle Ages. London: B. Quaritch, 1900.

    The Role of the Book in Medieval Culture. Proceedings of the Oxford International Symposium, 26 September-1 October 1982. Edited Peter Ganz. Turnhout : Brepols, 1986.
     

    Rouse, Mary A., and Richard H. Rouse. “Statim invenire: Schools, Preachers, and New Attitudes to the Page.” In Authentic Witnesses: Approaches to Medieval Texts and Manuscripts, 191 – 220. Notre Dame, Indiana: University of Notre Dame Press, 1991.
     

    Schmidt, Gerhard. Die Armenbibeln des XIV Jahrhunderts. Graz: H. Böhlaus, 1959
     

    Soltész, Erzsébet. Biblia pauperum. Budapest: Helikon, 1967.

    Turner, D. H. English Book Illustration, 966-1846. London: Trustees of the British Museum, 1965.